yhlee: Alto clef and whole note (middle C). (Default)
yhlee ([personal profile] yhlee) wrote2025-11-19 09:45 pm

objectively silly use case but cute







Not sentient enough to suss out ESP-IDF on three hours of sleep, but M5stack Cardputer v.1.1 (ESP32-S3) running VoidNoi's BadCard (via m5burner) to the rescue!
silver_chipmunk: (Default)
silver_chipmunk ([personal profile] silver_chipmunk) wrote2025-11-19 10:20 pm

Flushing again

Got up this morning around 10:00, and got a notice that I had two more prescriptions available at Duane Reade. I had breakfast and coffee, and thought about what to do. I decided to take a shower and wash my hair, and then go and pick up the meds.

I also looked up the very expensive e-spinner the Kid wants for Christmas and ordered it, which leaves me a bit short til I get paid again.

Then I called Middle Brother's group home and set it up to bring him here for Thanksgiving overnight. The usual setup, they bring him to Hicksville and I meet him there, then come back here on the 26th. And the reverse on Thanksgiving, after we eat I take him to Hicksville by the train and they meet us there.

So I got that set up and then headed to Flushing and Duane Reade. I accomplished the whole thing in a little over a half hour, so no big deal.

After that I pretty much just puttered online for the rest of the afternoon. Sadly gaming was cancelled for today, and next week.

At 7:00 I Teamed the FWiB, since I didn't need to get off at 8:00 we talked til almost 9:00, though we started a bit late. The Kid called a little after 8:30, at my request, and we had a quick talk about her boyfriend's Christmas present.

After that I had dinner, another of the mushroom pasta bowls. Then I went to the bedroom, and called [personal profile] mashfanficchick. We are meeting in Manhattan tomorrow, I have a retiree union meeting in the morning, then we'll meet at Bryant Park and do the market there.

I am worried about Christie. She isn't eating and seems very lethargic. It may be the time of year, but I worry she's 30 years old this year, and she's getting old.

Gratitude List:

1. The FWiB.

2. Got my meds.

3. Talked to the Kid.

4. Made Thanksgiving plans for Middle Brother.

5. Clean hair.

6. Plans for tomorrow.
trobadora: (McShep bronzed by ahkna)
trobadora ([personal profile] trobadora) wrote2025-11-19 10:23 pm

New Stargate?!

According to Gateworld, Amazon (which owns the franchise now *sighs*) has greenlighted a new Stargate series! And it's not a reboot!

I was never into SG-1, and I still resent Brad Wright and Joe Mallozzi for the way they ditched SGA in favour of SGU, dumped on SGA's female fans, and then were offended when SGA fans weren't interested in SGU. But I really loved Stargate Atlantis. It was my main fandom for many years, and I have so many fond memories both of the show and the fandom. I haven't rewatched it in a while, but it's one of the things on my list that I definitely want to go back to when I have some time and no energy for new stuff.

My main ship was McShep, but even more than that, Sheppard was my favourite character, and I loved reading Sheppard gen. My secondary ship - a tiny pool noodle of a rarepair - was Teyla/Bates, and I still wish it had been more popular. (Maybe if I'd written fic myself? Unlikely, but ... *g*)

Still, even though I was very active in SGA - I co-ran [livejournal.com profile] sga_newsletter, co-modded [community profile] mcshep_match and [livejournal.com profile] mensa_au and [livejournal.com profile] teyla_bates, among other things - I never wrote any fic for it. Part of it is that I got into SGA during my three-year writers' block (which Doctor Who eventually broke), but even afterwards, despite my brain being constantly full of scenarios, they never crossed that line into writing. Possibly in part because the fandom was big and kept me busy! But surely that can't explain it entirely, and I'm honestly not sure what other reasons there might be. (Why do some fandoms never make me write? A mystery for the ages! *g*) Anyway, it'll be interesing to see, when I eventually rewatch again, whether that'll change ...

And it's very unlikely the same magic will happen twice, but when/if a new Stargate show does happen, unless the premise is itself unappealing, I'm absolutely giving it a chance.
renfys: (pride pigeon)
ren ([personal profile] renfys) wrote2025-11-19 06:19 pm
Entry tags:

(no subject)


My first mandala.

yhlee: Alto clef and whole note (middle C). (Default)
yhlee ([personal profile] yhlee) wrote2025-11-19 07:52 am
Entry tags:

the return of emotional support weaving



I won't claim this is good weaving (it is not). The handspun is janky, the selvedges and tension are janky, but baby's first WIP on a floor loom was bound to be janky. Other than the unhinged levels of fog this morning, this is very enjoyable. I'm not weaving for production or efficiency at this point, just the joy of working with my hands and learning something new to me.
silver_chipmunk: (Default)
silver_chipmunk ([personal profile] silver_chipmunk) wrote2025-11-18 10:29 pm

Still snuffily

But feeling well enough to be up and about.

I got up accidentally at 9:00 because I forgot to change the alarm from Saturday. So I turned it off and went back to sleep and got up at 11:00. I had breakfast and coffee, and called [personal profile] mashfanficchick to see if anything was doing today. It wasn't, so I showered, dressed, and went out to Flushing to pick up my prescription, and get Christmas cards.

I went to Duane Reade, taking the 44 bus, and filled the prescription. Then I looked for boxed Christmas cards. They had a very small selection of very expensive ones, so I decided to look elsewhere.

I went to Jemboro, but they didn't have any, so I decided to go to Target. I walked down to the Skyview Mall and went to Target, looked through all their Christmas stuff and found no boxed cards. I am very surprised at that.

So on the way out I stopped in Marshalls, and there I found a small selection of boxed cards, not terribly expensive, and found two boxes, 15 cards each, of a design I like. So I got those.

While waiting on line I found a small present for someone too, so that's good.

Sadly, I kept seeing things that [personal profile] mashfanficchick's mother would have liked. Also a few things that Oldest Brother would have gotten a laugh out of. *sigh*

Anyway, I brought the stuff and walked back to the bus stop and came home.

I am happy to say, btw, that for the past day, there has been heat in the building, almost too much. I am quite cozy and warm.

So I had a little lunch, yogurt and cheese, and I puttered around until 7:00. Then I Teamed the FWiB.

We talked til it was time for my meeting, and then I did that. It was small, but good.

Then when I got off I had a text message from [personal profile] mashfanficchick to give zer a call, so I did and we discussed the weekend, and Thursday.

I had dinner, and went to the bedroom to finish reading Amphegorey.

Gratitude List:

1. The FWiB.

2. Got holiday cards. (they are non-religious so I can use them for everyone)

3. Went through the presents I have already for people and I have more than I thought.

4. My meetings and the people there.

5. Warm apartment.

6. Cold is better.
ranunculus: (Default)
ranunculus ([personal profile] ranunculus) wrote2025-11-18 06:38 pm

Fox

It was 6:50 am, everything was a bit drippy with fog and M was driving me down to deal with the horses.  Chena was happily running well in front of the car as she usually is. We saw her go into overdrive as we got to the top of the old orchard hill. Peering down the hill we could see an animal crossing the road ahead going right to left and diving into the shelter of some branches.  Mostly it was a dark grey blob, but something in the way it moved made me say "fox"!!  Chena caught up and bolted around the branches.  After a moment the fox burst out of the cover of the branches and lept across the road, this time left to right, headed for the stream. We had a momentary glimpse of a really magnificent animal, half bushy tail, making 5 or 6 ft leaps, which is a lot for a tiny grey fox.  II suspect this is the same fox that was moving up the hill as we came down it about 6 weeks ago. Then we didn't get a good look at it, other than seen a small grey blob.  This time the leaps were in full, fairly close view.  Chena gave up and headed for the gate.  
Down at the horses the 3 boys went out on pasture, Firefly got to graze on some green grass while I cleaned and filled the evening hay barrels.  When I was done cleaning Firefly came in and had her morning barrel of hay. 

sovay: (Sovay: David Owen)
sovay ([personal profile] sovay) wrote2025-11-18 05:30 pm

Reading your mind is like foreign TV

As far as I can tell, after three or so nights of pain-driven sleeplessness broken only by the occasional hour unconscious, I crashed so hard last night that I may have slept as much as fifteen hours, which would be amazing except that we are now on the later side of autumn and I slept out all the sunlight in the day. My entire plan had been to take a walk this afternoon. Tomorrow I have a round of doctor's appointments starting early in the morning, but it's not exactly the same thing. Have some links.

1. Mythic Delirium Books is reviving! In order to celebrate the relaunch and their ten-year anniversary, they are offering a deal on three of their most acclaimed collections, all of which I can recommend from reading as well as general enthusiasm for the press and its authors. Various combinations and formats available and an enticing pre-order bundled if you order through their own website. Check it out! Mythic Delirium was the home of my first published poem twenty-four years ago when it was a cardstock-covered 'zine with black-and-white interior illustrations and my affection for it has not dimmed even now that it publishes actual trade-bound books.

2. Until [personal profile] selkie sent it over to me, I had no idea an online archive had been compiled of the Call, the historic English-language newsletter of the Workers Circle. I am thrilled, even if the first article I selected was, in 2025, a little like being socked in the jaw by 1942:

America is celebrating the 150th Anniversary of the Bill [of] Rights. The Bill of Rights is the Magna Charta of our fundamental liberties such as freedom of speech and press, of petition and assembly, of religion. Together with these go concomitant rights such as the security of the home against the military, against search and seizure, and the recognition of due process of law and trial by jury. In brief, the Bill of Rights stands as a guarantee that the individual and the home are inviolate unless certain clearly defined legal procedures are followed.

Before the rise of totalitarianism, we took these freedoms for granted. They were part of the air we breathed. Now we realize that they are a precious heritage, that they are worth preserving and defending. America is not Utopia. Unemployment, economic crises, poverty and need in the midst of plenty, slums and avoidable sickness, are still with us. But as long as the Bill of Rights prevails, as long as we have freedom of speech and of assembly, of petition and protest, of criticism and political organization, there is hope abundant. With these freedoms, we can go on working for the things we hold dear and good, inveighing against injustice wherever we find it, improving the lot of the masses. Without these, we are lost, doomed either to abject silence or the concentration camp.


3. I missed it for Armistice Day, but Frederic Manning's "Leaves" (1917) is a delicately upsetting war poem and completely at the other end of effects of language from his novel Her Privates We (1929).

Cone of Silence (U.S. Trouble in the Sky, 1960) does such wonderfully anoraky suspense about human factors in aviation accidents that it should not be faulted for including Peter Cushing in its cast and then not having him play the brilliant, haunted designer of the Atlas Phoenix which seems to be doing too close an impression of the de Havilland Comet for anyone's comfort, but I did have to adjust to that being Noel Willman.

P.S. Dammit: now TCM has tabletized itself and in the process apparently expunged its considerable database of linked articles, not to mention the hitherto useful indices or even listings of cast and crew. Because what I want when considering a movie is not even to know who's in it unless I can recognize someone from the visual tile which could be anything from a random frame to a production still to part of a poster. The player itself has also been reorganized into a much less pleasant interface. Is there some kind of literal race on to the enshittification? Isn't that one where the only way to win is not to play?
dorchadas: (Azumanga Daioh Chiyo-chan big eyes)
dorchadas ([personal profile] dorchadas) wrote2025-11-18 03:21 pm

Laila brain: who's right?

Right now we're confused and a little worried.

So, a couple weeks ago Laila had a suite of neuropsychological tests done. [instagram.com profile] sashagee told me that at the time, the tester said that Laila's performance indicated symptoms of ADHD, but since this misfold in her brain that was causing her seizures was affecting her behavior, she didn't want to formally diagnose her with anything. She also said that based on the same criteria she would diagnose Laila with a mild intellectual disability, but for the same reason she didn't want to formally diagnose her since Laila might be getting brain surgery with the hope of stopping her seizures--I say might because they have to do an sEEG to see if surgery is even an option, since if the seizures are coming from a critical brain area then excising it would be an awful idea.

Well, we told [facebook.com profile] aaron.hosek about this. [facebook.com profile] aaron.hosek is a school psychologist and most of his work involves testing kids for ADHD, autism, learning disabilities, etc., and he seemed pretty dismissive of neuropsychologists. He was like, yeah, they give them a test on one day and think they've seen it all. He said not to worry too much about it. And Laila's pediatrician seemed to back that up, saying that while Laila was definitely behind, she was only months behind, not a full year, and her rapid progress once she entered school was a very good sign that with therapy she could catch up.

But the reason I'm writing this post is that we just got a copy of the neuropsych's report and it rates Laila "exceptionally low" in many areas, and the highest she got on any area was "low average" (this was on life skills, like using the bathroom, cleaning up after herself, dressing herself, etc). The recommendation was to put her in special education and have an individualized curriculum with one-on-one instruction where possible.

I want to think the pediatrician is right, but of course the pediatrician didn't do any tests. But this is literally [facebook.com profile] aaron.hosek's job that he does all day and he didn't seem to think there were major concerns, but he also hasn't actually tested Laila. We do have her in speech and occupational therapy for increasing her vocabulary and learning to better control her emotions and focus on tasks (we should have started it a year ago when we first were worried about her speech--the state agencies who did her testing did not do a great job if this is the outcome, since they let her out of services after only a few months), and they want to implement some of that in school for her too.

A lot of this is contingent on the results of her brain surgery (if eligible) and later possibly starting ADHD medication, since she has a very short attention span that's really hindering her learning and memory. On the other hand, since starting school her language has gotten much better--she's consistently using I and you correctly, answering questions with "yes" or "no" instead of just repeating the last choice you gave her back at her, narrating her actions to observers, and sometimes asking questions. But is this all just delusion on my part? I don't know--I guess it depends on if she keeps advancing quickly or not. We're going to have a consultation on an sEEG this week and we'll have to see what they say there.
pauraque: butterfly trailing a rainbow through the sky from the Reading Rainbow TV show opening (butterfly in the sky)
pauraque ([personal profile] pauraque) wrote2025-11-18 04:53 pm

A Thousand Beginnings and Endings, ed. Ellen Oh & Elsie Chapman (2018) [part 3]

This is part three of my book club notes on A Thousand Beginnings and Endings. [Part one, part two.]

Something I learned in this meeting that I did not previously realize is that a number of the authors in the collection are best known for YA. This does explain why it was shelved under YA in the library, which I have to admit I did not see as significant given that I also had to visit the YA section to find Dracula (because their copy is part of a series of "classic canon" repubs marketed to teens). I had noticed that some of the entries certainly are YA, which I don't consider a bad thing in itself, but in this batch of stories we did experience a disconnect between the marketed-to audience and ourselves.


"Nothing Into All" by Renée Ahdieh

An embittered brother and a doormat sister run across goblins that can turn anything into gold. )


"Spear Carrier" by Naomi Kanakia

[Note: This book was published before Kanakia came out as trans, so it lists this story under her former name Rahul Kanakia.]

A look at the Mahabharata from the POV of one of the five million soldiers in the climactic battle. )


"Code of Honor" by Melissa de la Cruz

A Filipina vampire seeks belonging in New York City. )


"Bullet, Butterfly" by Elsie Chapman

In a war-torn country, a boy disguises himself as a girl to infiltrate a munitions factory. )
tarlanx: Wei Wuxian being carried behind by LWJ (Cdrama - The Untamed 2 - carry)
TARLAN (tarlanx) ([personal profile] tarlanx) wrote in [community profile] theuntamed_mdzs2025-11-18 09:14 pm

PG SLASH: Moonlight - Wei Wuxian/Lan Wanji, The Untamed

Title: Moonlight
Author: Tarlan ([personal profile] tarlanx)
Fandom: The Untamed (TV)
Pairing/Characters: Lan Wanji/Wei Wuxian
Rating/Category: PG SLASH
Word Count: 300
Summary: Wei Wuxian goes to find Lan Zhan (Lan Wanji) after transferring the evil spell off Jin Ling and onto himself.

Content Notes: Written for Nixxi for [community profile] seasonsofdrabbles Fall 2025

On AO3: https://archiveofourown.org/works/73043931
 
mekare: Su Nan and Wu Xie side by side (DMBJ Su Nan Wu Xie)
mekare ([personal profile] mekare) wrote in [community profile] dmbj_tombraiders2025-11-18 07:10 pm
Entry tags:

DMBJ Calendars announcement

Stay tuned everyone, we are in the process of finishing up the two 2026 calendars. Posting will run on AO3 between December 1 and December 12. On the 12th I‘ll post a download link to the calendar PDF files for download on AO3, Tumblr and here in the community. That way you can print them or use them as digital calendars.

There is going to be one calendar focusing on our favourite gentlemen and one for our favourite ladies from across DMBJ canon!
bluedreaming: (*read by)
ice cream ([personal profile] bluedreaming) wrote2025-11-18 11:51 am

Voiceteam Mystery Box 👀 🐟

[community profile] voiceteam Mystery Box 2025 sign ups opened this weekend, and this is the first year I won’t be joining team kpop.

(But team kpop will likely still happen! I do have details if anyone is interested.)

Our team doesn’t have a name yet as we’re still polling suggestions (voting will happen next) but I’m looking forward to seeing how it goes. 🐡

🐘 🦋
littlefics: Three miniature books standing on an open normal-sized book. (Default)
littlefics ([personal profile] littlefics) wrote in [community profile] seasonsofdrabbles2025-11-18 12:26 pm
Entry tags:

Fall Round: Authors Revealed!

Authors are now revealed! Thank you for another round, which, as of this post, yielded 411 fics!

Reveals doesn't mean you should stop reading and commenting, so we hope you continue to enjoy all the great drabbles.
honigfrosch: a stark, stylized black and white photo of a man's face in semi profile (Default)
Honigfrosch ([personal profile] honigfrosch) wrote2025-11-18 06:46 pm

Holiday Love Meme 2025 Alphabetical List

holiday love meme 2025
(my thread)


STATUS: Away from the computer ( 😴 💤 )

I have subscribed to top-level comments to keep track of new nominations.

Note that if people have multiple nicknames I don't list all of them - I primarily use their DW name, otherwise their AO3 name. If they have neither I choose a handle randomly. Underscores at the beginning of a name are ignored (so you'd find user "_abc" under "A").

If you want to link to this entry so that it has the letters under a clickable folder menu instead of one massive list, use the calendar view.


leave comments, spread joy )
silver_chipmunk: (Default)
silver_chipmunk ([personal profile] silver_chipmunk) wrote2025-11-17 10:22 pm

Still recovering

But I didn't sleep all day like I did yesterday, though I did sleep until 12:00 again. Then I got up and had breakfast and coffee and basically puttered around all day, either on the computer or in bed on my phone.

So that went on until 7:00 when I Teamed the FWiB, which was nice as usual. We talked til about 8:30 and then I got off and had dinner.

Then I went to the bedroom again and puttered on my phone, and called [personal profile] mashfanficchick and talked a bit. Then I called the Kid, but she didn't answer. I also texted back to Chris suggesting we meet in the city on Thursday, No answer yet, not durprising.

Fed the pets at pet feeding time, and now I'm doing this.

Gratitude List:

1. The FWiB.

2. Cold continues to get better.

3. Got my copy of Rabbit Hill from Thriftbooks today.

4, Eggnog.

5. Solitaire.

6. Old friends.
garote: (ultima 6 workshop)
garote ([personal profile] garote) wrote2025-11-17 04:09 pm
Entry tags:

More thoughts about stuff and things

In the years leading up to my father's demise, he began giving away almost all of his possessions, and over time I realized that you could separate the stuff he was getting rid of into categories, grouped by the questions you would need to ask yourself about each group. Some examples make the point:

"This ping-pong table: I have trouble just walking and holding a glass, so I am definitely done playing sports. This table needs to be with someone else."

"These books: They look nice on a shelf, but my vision's not good enough to read such small print. The most rewarding thing I can do with them now is enjoy the act of giving them away, to people who would be grateful."

"These nice clothes: They look good on me, but if I'm honest, I can't be arsed to go to fancy events that would mandate them. Besides, shoelaces, and buttons, and neckties, are a nuisance now. I'll make them into gifts."

"This truck: My wife doesn't like it, and recently the DMV said I was no longer qualified to safely drive. I'll never need it again. Time to get rid of it."

"All these tools in the garage: I use them to repair stuff. Do I want to spend my limited time repairing stuff? Especially now that my concentration and coordination are this shaky? Not ever again. Time to give them away."

The end-goal, which he never quite reached, was to have empty bookshelves, an empty garage, an empty driveway, and empty closets. It was a smart thing to do, and in his case it was complementary to what was happening in his mind, which was also being slowly emptied by dementia. One of the best things you can do to fight dementia is to engage socially, and asking the people you know if they might like some free stuff is a great excuse for it. Just about everyone likes free stuff. So come on over and let's chat for a bit while you muscle this ping-pong table into your car.

Popular culture has recently extruded a quirky little growth of books and videos about "Swedish Death Cleaning," based on the common problem that Americans have with spending too much time seeking and maintaining piles of stuff, and the quaint feeling that anything Swedish must be a clever, less-stressful alternative to anything American. We love having space and we love accumulating piles of material goods onto that space, and in multiple ways that makes America the envy of most of the world, where space or material goods - or both - are very expensive. But our typical approach to everything good, is to do it until it's so incredibly over-done it flips around and becomes evil. So what do we do when we're drowning in piles of stuff, for example, too many books? We buy a book explaining how to solve the problem. Which is why I think the opening sentence of every book and video about "Swedish Death Cleaning" should be: "First thing, return this item, and get your dang money back."

But I think of those books, when I think of what my Dad was doing. Around here, it's apparently so hard to counteract the desire for material goods that we can only succeed by invoking the finality of death itself. When you're gone, all this crap will still be here, but - and I guess this is really hard for people to internalize - you won't actually get any joy or utility from it, because your body is kind of an essential component. Physical objects are beholden to physical bodies, and no amount of mental attachment in the form of sentimentality or stubbornness can overcome that. If you apply this lesson about death to the lifetime that precedes it, you get the idea that you're are always paying a physical price, or taking on a physical debt, for every object you keep. The satisfaction you feel as you arrange and curate it, and marinate in the knowledge that it's there when you need it, gets smaller with time, but the object continues to require exactly as much space, and shelter, as always. Or if you neglect it, you eventually have to clean it up. At the same time, your own body gets harder to maintain, making the management of your stuff even more annoying. I think that's a big reason why this lesson is naturally easier for older people.

On the other hand, if you're the rebellious type, you might refuse to embrace it, and refuse harder every year, until your house and property are a grimy mausoleum of books and furniture and old letters and jars of urine...

Anyway, the point I'm trying to arrive at, is that personal experience and popular culture have both conditioned me to be very skeptical about accumulating stuff. I've found that it's very hard to get rid of, or just to let go of, and it's also hard to stop it from accumulating in the first place. There have been times in my life when I moved into a new living space and actively tried to fill it, just because I suddenly had empty rooms, or open shelves in the garage. It's fun! And plenty of times in the last decade or so, cruising around Oakland, when I've found free items and felt the urge to haul them home just because, hey, free stuff! I could re-stain this coffee table and it would look pretty good, and I could always use more plates and cups (except that honestly I couldn't.)

I'd like to sound wise and cool by saying that what I've truly embraced is experiences, rather than possessions. How mature! But no, the real motivation here is, dealing with stuff is just an absolute pain in the ass. It's the physical debt. It's inescapable. You can defer it for a very long time by, for example, buying a larger piece of property than you really need, and maintaining couple of extra rooms to heap the stuff into. Workshops and sewing rooms and libraries and personal "maker spaces" and so forth can be very pleasurable and useful as well, and if you're living with someone else, an extra private room for one or both of you can be essential. Having a hobby is one of the keys to a long life, and enjoying your older years, and I personally have two huge cabinets in the garage filled with bike parts and little electronic bits. But it is really easy to give time to the maintenance and curation, especially when it only feels like fun, and it's really hard to reclaim that time later on, when one bicycle and one shelf of parts has expanded to three - no, five - no, let's be honest, seven - bicycles and most of an entire garage of tools, spare parts, and working space. Good ol' Stephen King opined many years ago in a book about writing that art needs to be a support system for life, and if you have it the other way around, you're going to have problems. I feel like I'm constantly in danger of the same thing, except it's not art, it's just the material goods I might use to make art. Piles of it, growing organically like some malevolent compost heap.

Ironically, I never used to worry about this until I became a "property owner" (by which I mean, I took on a massive loan) and was suddenly completely responsible for maintaining an entire house. You'd think that since I could do anything I wanted with the space, I would feel free to cram it full of stuff. Well, perhaps if I didn't have that massive loan. To deal with the loan I've been renting almost all the space out to other people, and I'm being paid to maintain space for them instead of me. That means a garage full of tools, arranged into labeled boxes. And currently, it means all the rest of my materials for living part-time in Oakland are crammed into the garage as well, so I can maximize the rentable space. I guess it's not your typical "home owner" experience. I guess I've never actually had that experience. Property has meant much more responsibility than freedom, for me. But maybe that's had a positive effect overall because I've been forced to to learn the lesson about the physical debt of stuff.

This creates a cognitive dissonance sometimes. I feel like I'm expected by society around me to have a particular living space, because of my age. If you're 50 years old, shouldn't you have a house with a bunch of rooms, all your own, all deliberately furnished, with lamps and framed art, and a big dining room with seats for a whole party, and maybe a rug that really ties the place together? A den, a man-cave, a craft room? Plus a back yard, with a barbecue or a pool or both? If you have a living arrangement that's smaller, or you technically have the space but you're putting it to some other use (like renting it out), does that mean that you messed up somewhere along the way? College people and early adults can be expected to make do in apartments, living on top of each other, but by the time you're pushing out to the edge of middle-age, shouldn't you have "arrived" in a big, permanent, curated, possibly suburban, residence?

Here's the strange thing about that: I've had those things already. For like, years and years. I used to do Friday dinners with at least six people around the table like clockwork. I had a series of amazing kitchens, a series of dens, a series of man-caves, in different places. They were wonderful. I have great memories and a giant pile of photos. That all started in my late 20's and ran pretty consistently, until I began aggressively paring my stuff down. I gave away the dining room table in 2012, and downsized to one that seats four. Almost all the time, what I enjoy now is a meal with one other carefully chosen person. Almost all the time, my hobbies happen with equipment that occupies a space ranging from a table-top to about eight feet of shelving. Some external force keeps whispering to me that, if I really want to fit in with society, I need to expand that out again, and damn the expense. Kick all the tenants out and claim the den, dining room, and driveway, stock a pantry with bulk items, fill up all the walls with art, play my stereo much louder because no one is sharing any walls, and organize another series of dinner parties. Forget about being portable, and minimal. And when I hear that whisper, that expectation and the pressure behind it, something in me hisses back, "No! Shut up and go away! This is better!"

Which is odd, right? Because I really did like doing all that. When I first moved to Oakland I rented a five room flat, and my housemate and I filled all of it immediately. We both got craft rooms, and we muscled the giant table with room for eight into the dining room. Turns out the flat upstairs was a classic "punk house" though, where every single weekend was a giant party, so we didn't even need the table; we'd just walk upstairs. Either way, the space and the furniture felt essential, like we needed it to properly experience life. I hauled that table to two other houses, then at some point I can't remember, I must have decided it wasn't worth the work, and I needed to figure out what came next.

This is a kind of transition I run into, over and over: Society and culture implanted me with a bunch of long-term goals, and I spent many years chasing them down, building them up, and then having them accomplished - taking the metaphorical victory lap - and then I went skating ahead, into a place society and culture made absolutely no mention of, beyond the goal they are still, even now, stridently endorsing, and the message is so loud and constant that it makes me think the right thing to do is turn around and go back to where I was - the victory lap - and stay there, even though I don't actually want to. Just so I can stop feeling the cognitive dissonance of this loud message. When everyone around you seems to be clamoring for something you don't want, how can you help but ask, "What's wrong with me?"

I think in my case, it's the awareness of death that caused me to "go wrong", combined with an ever-increasing awareness of the much longer arc of history that created the world I grew up in. Like, when you grow up in a house with separate bedrooms and a giant dining room table, that feels like your goal; and then you learn that your longer family history involves growing up with 13 siblings jostling around in a two-room cabin on a farm, or ditching all their possessions except a couple of suitcases to board a ship for another continent. And then you start looking at that giant dining room table with a more critical eye. Is it there because you need it, to have a real life? Or because your grandparents dreamed of having one, and now you get to make your own decision? Awareness of death has taught me that the most important factor, in whatever you decide, is whether it will get you more time with the people you love.

It bites you in the end: It's possible to spend a whole lot of your time and money managing the stuff you think you need for a hobby, or just a level of material abundance that will make you feel successful, and in the meantime the chances you get to do stuff with the people you like - the people who really know you, and get what you're about - get smaller, and shorter, and then bodies fail or accidents happen and the chance is completely gone. You'll still have that organized workshop, that amazing classic car you rebuilt by hand, that house full of extremely well-matched furniture, but you'll eventually only have enough time to start figuring out who's left that you can pass it to, aside from indifferent strangers.

Dealing with this is a challenge! Because like I said, hobbies are vital. And it's a good challenge, honestly, because it's something you get to worry about only after you've avoided starving to death, succumbing to disease, or getting run over by an oxcart. It's led me lately to ask the question, am I going to go for a big career change, like I've been contemplating the last five years or so? Maybe it's time...
sovay: (Jeff Hartnett)
sovay ([personal profile] sovay) wrote2025-11-17 12:56 pm
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Me, I'm a rotten audience before I've had my coffee

Blind Spot (1947) was unobjectionably winding up its 73 minutes of inessential Columbia B-noir and then it stuck its middle-aged character actors with the emotional landing and I was obliged to have feelings about it.

Thanks to a screenplay which regularly fires off such pulp epigrams as "Yes, but why should dog eat distinguished writer?" Blind Spot never actually bores, but it has little beyond the acridity of its literary angle to differentiate it from any other lost weekend noir when critically esteemed and commercially starving novelist Jeffrey Andrews (Chester Morris) comes off a double-decker bender to discover that his disagreeable publisher has been iced in exactly the locked-room fashion he crashed around town shooting his mouth off about the previous night and worse yet, he can't even remember the brilliant solution that made his pitch worth more than the pair of sawbucks he was condescendingly packed off with. "It's like falling off a log. Dangerous things, logs. More people get hurt that way." Smack in the frame of a crime he may even have committed in a time-honored vortex of creativity and amnesia, he renews his ambivalent acquaintance with Evelyn Green (Constance Dowling), his ex-publisher's level-gazed secretary who would have had work-related reasons of her own to entertain a three-sheets stranger's foolproof gimmick for murder, but with a second corpse soon in play and a policeman pacing the shadow-barred sidewalk above his basement efficiency like a guard down the cell block already, the two of them take their slap-kiss romance as much on the lam as the rain-sprayed studio streets will allow until the complicating discoveries of a check for $500 and a gold spiral earring pull their mutually suspicious aid society up short. Since everyone in this film reads detective fiction with the same frequency as offscreen, the levels of meta flying around the plot approach LD50. "The only thing this proves is that I'm slightly moronic."

So far, so sub-Woolrich. The supporting cast may not be any less stock, but at least their detailing is more inventive than the hero's blear o'clock shadow or the heroine's demi-fatale peek-a-boo. Sarcastically spitballing a detective for his easy-peasy crime, Jeffrey proposed Jeremiah K. Plumtree, an eccentric old New Englander with the lovable habit of forgetting to unwrap his caramels before eating them. Instead he gets the decidedly uncozy Detective Lieutenant Fred Applegate of the NYPD (James Bell), one of those dourly hard-boiled representatives of the law whose wisecracks even sound like downers, the lean lines of his face chilled further by his crystal-rims. Even when he straightens up into an overhead light, he looks mostly annoyed at the shadows it sets slicing through his third degree, a thin, plain, dangerous plodder. "That's right. With an M." Naturally, his narrative opposite is the effusive Lloyd Harrison (Steven Geray), a cherubically flamboyant sophisticate with an honest-to-Wilde carnation in his buttonhole who deprecates his own best-selling mysteries with the modesty of the luxuries he can afford because of them, shaking himself a cocktail at a wet bar that could host the Met Gala. His Hungarian accent lends an eerily psychoanalytic air to the scene where he talks Jeffrey through recovering the blacked-out solution of his story, one of its few expressionist touches. "Small was the worst kind of a stinker. And a pair of shears in his back? Well, as the saying goes, on him it looks good." They make such an odd couple meeting over the trashed files and splintered locks of the crime scene that when the writer opens with the arch observation, "The cops must really love to wreck a place," we half expect to learn that the lieutenant ran him in once for some aesthetic misdemeanor or other and instead Applegate cracks the first smile we've seen out of his burned-in cynicism and then tops it by folding himself down at the murdered man's desk, conceding his mystification with the case, and even submitting to be teased self-reflexively by Harrison: "Only amateurs can solve a crime. You've read enough mysteries to know that." It's no caramel, but around a clearly old friend he has an odd, thoughtful tongue-in-cheek expression he closes his mouth on the second he catches himself being noticed. He chews on the ends of his glasses, too. It makes him look downright human.

You forget the solutions must be completely logical as well as acceptable by the reader. )

Blind Spot was the scripting job of novelist and screenwriter Martin Goldsmith who had already penned the budget-free noir legend Detour (1945) and would pick up an Oscar nod for the equally second-feature The Narrow Margin (1952) and it shares their flair for creatively tough dialogue, even when its rhetorical saturation occasionally tips over from the enjoyable to the inexplicable, e.g. "Possibly it was the heat which the rain had done no more than intensify, which drained a person's vitality like ten thousand bloodthirsty dwarves." Its economical direction was the successful debut of former child actor Robert Gordon, but like so many B-pictures it draws as much or more of its tone from its photography, in this case by George Meehan who opens with a fabulous track down a working-class, washing-hung street of litter and pushcarts that could almost pass for a naked city, shoots his leading lady like abstract sculpture in the dark, and just for good measure throws in some subjective camera for an unfortunate run-in with a chair. I watched it off TCM at the last minute and am distressed to report the almost unwatchably blurred-out grunginess of every other print the internet seems to offer, not to mention their badly clipped runtimes; it hampers the ship manifesto. Pace the indeed memorably weird moment where Morris essentially faceplants into Dowling, muzzily nuzzling into her platinum waves like a soused, stubbly cat, I cannot care that much about obligatory het even when it comes with left-field chat-ups like "I was afraid you were going to turn out to be frivolous—order one of those exotic cocktails like crème de menthe with hot fudge." James Bell absentmindedly twiddling an important piece of evidence is more my line. This theory brought to you by my distinguished backers at Patreon.