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snopes_feed) wrote2025-09-30 09:46 pmsnopes_feed) wrote2025-09-30 08:24 pmsnopes_feed) wrote2025-09-30 08:16 pmsnopes_feed) wrote2025-09-30 07:38 pmsnopes_feed) wrote2025-09-30 06:58 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
conuly) wrote2025-09-29 09:52 amsnopes_feed) wrote2025-09-30 06:12 pmsnopes_feed) wrote2025-09-30 04:22 pmsnopes_feed) wrote2025-09-30 04:10 pmsnopes_feed) wrote2025-09-30 01:00 pmpauraque) wrote2025-09-30 07:30 amsdk and I allowed our enthusiasm to carry us forward into rewatching the Prequel Trilogy. That was... well, it was certainly a decision that we made.snopes_feed) wrote2025-09-30 11:00 amotw_news_feed) wrote2025-09-30 10:57 amEvery month in OTW Signal, we take a look at stories that connect to the OTW’s mission and projects, including issues related to legal matters, technology, academia, fannish history and preservation issues of fandom, fan culture, and transformative works.
On September 23, SenLinYu’s Alchemised joined Rose in Chains by Julie Soto and The Irresistible Urge to Fall for Your Enemy by Brigitte Knightley as the third “Dramione” fan fiction-inspired novel to be traditionally published in 2025. In their article “‘The Year of Dramione’: Fan fiction’s leap to bookstore shelves”, United Press International (UPI) spoke with OTW’s Rebecca Tushnet about the growing appeal of fanworks outside of fandom spaces. Many publishers are fans themselves, Tushnet noted, commenting on the—often fraught—relationship between fandom and traditional media publishing. She also highlighted the deeper, intrinsic worth of fanworks:
… the value in fan fiction writing extends well beyond the potential for publication, Tushnet said.
“To me, it’s never about making the jump to getting paid for it,” she said. “People develop all sorts of skills and passions and connections through fan fiction and I would never want to flatten that.”
UPI posited that it’s perhaps, in part, this passion at the heart of fandom that serves as a beacon for fans and publishers alike. Ali Hazelwood, whose “Reylo” fan fiction inspired her novel The Love Hypothesis, reflected on what binds her to fandom:
“… it’s also just great to feel a sense of community and to get to know people, to find someone who’s like-minded and interested in similar things. It’s very hard to make friends as an adult. And I feel like I truly found my adult friends through fanfiction and through the fandom community.”
Hazelwood’s experience embodies a core purpose of sites like the Archive of Our Own (AO3). “As long as there are humans, they will ask what happens next [beyond canon],” Tushnet said. “The fight we have is their ability to find each other.”
Rae Johnston, presenter of the Download This Show podcast, asks, “What does it take to keep a website alive when every other platform is chasing advertising dollars or subscription fees?” The podcast’s new episode, “How fanfiction took over the world (and stayed free)”, explores how AO3 has risen to the challenge. Johnston spoke with OTW Board Director Rachel Linton to learn more:
The vision was to have a space for fans, created by fans, to make sure that it was a noncommercial space and to make sure that it didn’t restrict content. And those were driven by concerns that were raised by FanLib and by Strikethrough, and trying to make sure that there was a space that people could post what they wanted to write without having that controlled by what corporations wanted to support or promote—and to keep ownership over that work.
… There was definitely a desire to have a very clear vision of why we think that [creating fanworks] is allowed and why this is legal, and as part of that, we’ve had a Legal Committee from the beginning who … exists to support AO3 and to support fans—and make sure that their work is protected and that they know what they are allowed to do and can’t be intimidated.
… On the technical side, [AO3’s] code base was created for the Archive … we own all of our own servers, which is great for having control over the work that we host and the work that we do. … we’re entirely volunteer-run, so any work that we’re doing in terms of coding or in terms of upgrades or anything like that is all done by volunteers. … All of our funding is through donations. … we are essentially completely run by fan volunteers, but also run by the money that fans donate.
An incredible testament to community, Johnston concludes that “Archive of Our Own has managed the near impossible: staying free, staying independent, and keeping the culture alive.”
Looking for more OTW news coverage? Visit our Press Room! Here, you’ll find a catalogue of notable media mentions of the OTW and its projects—dating back to its founding in 2007. Browse articles, podcasts, and more to learn about how the OTW and its work and volunteers have been recognized across the media landscape.
We want your suggestions for the next OTW Signal post! If you know of an essay, video, article, podcast, or news story you think we should know about, send us a link. We are looking for content in all languages! Submitting a link doesn’t guarantee that it will be included in an OTW post, and inclusion of a link doesn’t mean that it is endorsed by the OTW.
snopes_feed) wrote2025-09-30 10:00 amsnopes_feed) wrote2025-09-30 01:30 amsnopes_feed) wrote2025-09-29 10:30 pmsnopes_feed) wrote2025-09-29 09:13 pmsnopes_feed) wrote2025-09-29 08:56 pm