delphipsmith: (George scream)
Yes, I am still alive. Real life has been ver' ver' busy of late, what with freelance editing clients, getting my [livejournal.com profile] minerva_fest entry in, trying to get caught up on [livejournal.com profile] hp_silencio (which posted a stunning and heartbreaking Minerva-centric entry on Saturday, thanks to [livejournal.com profile] teddyradiator for pointing me to it), birthday parties for nieces and nephews, and to top it off my online fantasy/sci fi writing workshop (which I'm now co-modding, and yes we would love to have new members) is running its twice-a-year short story in a week during the month of October.

Whew.

I have managed to cram some reading in here and there: a YA post-apoc novel about seven young children trying to survive alone following a mass epidemic (Fire-Us #1: Kindling), a highly unusual, meditative and thoughtful post-apoc tale of perhaps the last woman on earth (The Hauntings of Playing God), a mediocre suspense/horror story about a missing Karloff/Lugosi film and a few too many other things (Ancient Images), a beach-read Gilded-Age romance (American Heiress), and a somewhat disappointing Angela Carter novel (The Magic Toyshop) about orphans and creepy puppets. (Links go to my reviews, if I've done one.)

And I'm currently a third of the way through Harry Potter and the Methods of Rationality (HPMOR), which is quite fun: what if Harry Potter were a child prodigy raised by a physicist and tried to apply the scientific method to magic? Very much AU; all the familiar characters are there with essentially the same characteristics (Dumbledore twinkles and is a bit mad, Hermione is brilliant, McGonagall is proper yet with underlying affection) but everything else gets twisted round in new and interesting ways. The author must know quite a lot about the fanfic world because he works in a lot of inside jokes about various fandom habits and oddities (e.g. the Harry/Draco pairing), but it's all done very affectionately.

I intend to follow it up with Hogwarts School of Prayer and Miracles, mentioned by [livejournal.com profile] kellychambliss, a spoof of the series as fundamentalist Christian. Promises to be amusing.

Ah, and last night we saw Vanya and Sonia and Masha and Spike, which was fabulous. I sympathized hugely with Vanya's rant about how we used to lick stamps and have typewriters, and the actress who was Nina (over)played her like a young female William Shatner parody, which made me and Mr Psmith laugh immoderately. A good time was had by all :)

So there you go. What's new with you, flist?
delphipsmith: (George)
And I want him.


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delphipsmith: (roses)
I did the rainbow meme and it came out totally inaccurate, so not even bothering to post it. Have been engrossed the past few days in re-reading Sharon Shinn's Samaria series; I literally did not get off the sofa all day yesterday, just slurped cup after cup of tea and devoured page after page after page. Such an excellent mix of fantasy, high-tech SF, sociocultural commentary, and just plain damn good story-telling.

Then we went to dinner (scallops, gnocchi w/wild mushrooms, nom nom nom) and to see Red, a play about artist Mark Rothko. I'm of two minds about abstract art. On the one hand I quite like some of the pictures, they're like big splashy colorful rugs you hang on the wall. On the other hand, it irritates me because it seems like the artist couldn't be bothered to make his point clear, instead relying on the viewer to supply the meaning. If it engenders an emotional reaction in the viewer/listener, does that mean it qualifies as art? What if the reaction is annoyance? Also, so many of the abstract artists seem terribly pretentious and self-important; if you don't understand their work it's due to some flaw in you, some lack of refinement or spirit. "If you don't understand what it means, I couldn't possibly explain it to you." Um, if you can't explain the meaning, isn't that a failure of communication on your part? Or perhaps because it's meaningless?

For example, John Cage's "composition" which consists of nothing but silence, or the one created by rolling dice. Is there musical skill and effort in that? Creativity? He may be making a statement about music, but is it actually music, or some sort of music criticism that makes you debate the question of what music is? In the same way, is a giant canvas covered with blocks of red (Rothko) or splatters of random paint (Pollock) art? Or is an illustrative form of art criticism that makes people think about what art is?

Still, the play was quite entertaining, especially Rothko's rant about things being "fine":

ROTHKO: (Explodes) 'Pretty.' 'Beautiful.' 'Nice.' 'Fine.' That's our life now! Everything's 'fine'. We put on the funny nose and glasses and slip on the banana peel and the TV makes everything happy and everyone's laughing all the time, it's all so goddamn funny, it's our constitutional right to be amused all the time, isn't it? We're a smirking nation, living under the tyranny of 'fine.' How are you? Fine.. How was your day? Fine. How are you feeling? Fine. How did you like the painting? Fine. What some dinner? Fine... Well, let me tell you, everything is not fine!! HOW ARE YOU?!... HOW WAS YOUR DAY?!... HOW ARE YOU FEELING? Conflicted. Nuanced. Troubled. Diseased. Doomed. I am not fine. We are not fine. We are anything but fine.

Now that's brilliant. If his art said that to me, I'd love it. Sadly, it doesn't; all it says to me is "Hi, I'm a giant canvas with quadrilaterals on," like some sort of geometry exercise. If I want to see cleverly and skillfully assembled quadrilaterals in pretty colors, I'll look at an Amish quilt, thank you very much.
delphipsmith: (tonypm)
Pirate King (Mary Russell, #11)I can't not like Mary Russell and this was an entertaining read, but in terms of detection and sophistication, not up to her usual high level. The convoluted layers of fiction and reality were an interesting device but the plot was fairly thin and there was disappointingly little -- as in pretty much zero -- detecting involved. The plot loosely relates to Pirates of Penzance and was about as fluffy, apart from one bit which could have come straight from Acme Plots Inc. (they of the sixteen-ton-weights that feature in so many Wile E. Coyote cartoons). We were introduced to an intriguing secondary character, one of Mycroft's "men", whom I hope reappears in later works as she seem to have potential. Still, "it is, it is a glorious thing / to be a Pirate King!"

View all my GoodReads reviews
delphipsmith: (snape applause)
Behold, I bring you good tidings of great joy which will squeeeee!! to all people: Alan Rickman is on Broadway in a play called "Seminar" and oh my, check out the character he's playing LOL!!

"But that’s nothing compared to the verbal flatulence that fills the air once Leonard [Rickman] arrives, trailing weary contempt and sexual charisma. A once celebrated novelist, Leonard is now best known as an exacting editor, teacher and grandstanding chronicler of life in danger zones in third-world countries (Moldova, Rwanda, Somalia), where he stares down 'the most terrifying nihilism this planet has to offer'...[but] Leonard reserves his most annihilating eloquence for shredding the egos of his students."

Hmmm, let me think: weary contempt, sexual charisma, and an eloquence that annihilates his students? Now what other snarky teacher does that remind us of?? I MUST SEE THIS!

You can read the rest of the review here. Have I mentioned I'm excited??
delphipsmith: (much rejoicing)
...but in case anyone asks, The Magic Flute @ Chicago Lyric Opera is amazing!

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