delphipsmith: (Elizabethan adder)
Saw "Cowboys and Aliens" this past weekend. Excellent popcorn flick, I highly recommend it -- and they've broken the mold in that the dog actually survives, all the way to the closing credits! How refreshing.

Was pleased to see Harrison Ford has still Got It, and looks good on a horse. Daniel Craig also looks good on a horse (ok, he looks good full stop). Was amused to note that, despite his having quite a good American accent and playing that quintessentially American character, A COWBOY, he still posts to the trot like a good Brit. Some things are just bred in the bone.
delphipsmith: (despicable)
Oh look! I can finally log in again. The LJ gremlins have been hard at work on my account (no matter how many times I logged in successfully, when I went to any entry in my OWN journal, it showed me as not logged in -- very weird) but apparently they're all sleeping it off now and I can get in. Yay! So I have a book recommendation and a funny video to share.

First the book: Idlewild by Nick Sagan, son of Carl "billyuns and billyuns" Sagan. Intriguing and highly original: braids together AI, virtual reality, post-plague-apocalypse, adolescent rebellion and more into a strange and unusual tale that keeps you guessing, wondering what's real and what isn't. In some ways it previews ideas played out in the movie Inception, in that there are layers within layers of things going on. Although you're uncertain what's happening a lot of the time, the author doles out information at a proper pace so you're intrigued and drawn on, rather than frustrated, and some of the small details (the mail bag of letters, for example) are very powerful. I didn't find the ending completely satisfying -- it was fitting and appropriate, by no means bad or wrong, it's just that I wasn't done with the characters and wanted to know what happened next. Fortunately, it turns out there are two sequels, Edenborn and Everfree, so I shall have to get right on them. Three cheers for not having to wait for sequels!!

Now for the video. Meet Amy Walker, accent artist extraordinaire. She can do any accent on the planet (her YouTube channel, amiablewalker has lots more) but this is one of my personal faves:

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delphipsmith: (allyourbase)
Working my way through Neil Stephenson's Anathem. Holy cow. Talk about a demanding read -- mathematics, religion, linguistics, music, philosophy, astronautics, physics, metaphysics, not to mention herbology, cosmology, quantum mechanics, and change-ringing!! This book has it all. For the first hundred pages I floundered along in a daze, feeling rather like someone in a language immersion program trying to live and breathe a completely alien communication medium, until suddenly it clicked around page 250. So far I've recognized Plato and a few other core philosophical approaches (though I don't know them well enough to put a name to them -- what, or who, is the opposite of Plato?).

Fraa Erasmas' descriptions of the urban youth, with their "caps with beverage logos," made me giggle, while the enormous expanse of time that is the backdrop to the mathic view of the outer (extramural) world is breathtaking. It's reminiscent of Asimov's Foundation series, only the Foundation is looking forwards while the maths have a multiple-millennia perspective on the past.

Stephenson must be a terrifyingly intelligent person. The most complicated concepts are presented so simply, and yet without the slightest sense of shallowness; there's a depth of comprehension behind it that's staggering. And I want a sphere!!
delphipsmith: (zombies)
So I read One Second After over the past weekend and have to admit I was totally freaked out by it. I'd really like to know whether the US government is doing anything to address this issue -- a Google on "EMP hardened" or "EMP hardening" turns up a bunch of survivalist sites and not much else. I'd like to grab my local gov and police by the collar, wave this in their face and shout, "Have you thought about this?!?!?" but I suspect it would be counterproductive.

Returning to literary rather than emotional analysis, however, the book was very well-written (but the dogs! why must dogs always die? why???) and definitely gripping - I started it around 8pm and was up until 3am. I thought the juxtaposition of a Christian school having to turn into soldiers was an interesting choice.

Above all, it made me ponder how incredibly vital the mere fact of communication is, and how disorienting the lack of information can be in an emergency. Much of what happens in the book is not due to direct damage (very little is actually destroyed) but rather to indirect damage -- individuals are cut adrift from accustomed structures of law enforcement and society and therefore run wild. For example, if police can't communicate, they can't be called on at need, they can't enforce the law. If people don't know what's going on, they assume the worst and act accordingly.

At bottom, all that happens in the book is...the power goes out. This happens all the time (well, in my neighborhood it does, anyway). But it goes out everywhere, all at once, and in every conceivable place including car radios. Because so much of what we are/do/need relies on that one simple utility, when it happens nationwide things spiral out of control. Like scientists isolating a germ, the novel isolates a single taken-for-granted feature of our day-to-day lives -- electricity -- and explores what happens when that one thing is removed. It's engrossing and distinctly thought-provoking. Two thumbs up.

Oh, and your microwave is a Faraday cage so store a radio in there.
delphipsmith: (kaboom)
Latest leisure reading / nuclear apocalypse: The Pallid Giant. Set during the 1919 Paris Peace Conference, it concerns a diplomat who, discouraged by the bickering and pettiness he witnesses, learns from a scientist friend that homo sapiens may not be the first intelligent species to rise -- and fall -- on Earth. Rather eerie in its prescience; Noyes couldn't possibly have foreseen the development of nuclear weapons (his novel has a "death ray") but he accurately describes the corrosive effects of fear (the "pallid giant" of the title) on nations, once one of them has a lethal weapon.

Noyes was an interesting character. His father was John Humphrey Noyes, founder and leader of the Oneida Community, a sort of proto-hippie commune in central New York in 1848 that believe in plural marriage, controlled breeding, and the possibility of the (secular) perfection of mankind. The book has clear roots in the pacifist movement but old John, a Perfectionist, would have been sadly disappointed in his son's obvious lack of faith in human nature. The book's ending is literally ambiguous but the implication is clearly negative; humanity is in grave danger of their technology outrunning their ethics. A lesson we would do well to remember. Intelligence is no guarantee of survival.

I'm pleased to have read it, though it gave me nightmares about a giant comet heading directly for Earth. Apart from that it was excellent, certainly one of the earliest apocalypse novels I've encountered. (Well, OK, the earliest human-caused ones, anyway; strictly speaking, I guess the Deluge myth from 1700 BCE qualifies as the earliest apocalypse tale, though somewhat lacking in plot and characterization.)

In a lovely moment of intersection with the Whedonverse, I discovered that part of the apocryphal Book of Enoch is called The Book of the Watchers. Apparently it was "influential in molding New Testament doctrines about...demonology." Coincidence? I don't think so. Also related to Angelology which I read last month (excellent concept poorly executed, don't waste your time).

Coming up: I went to Barnes and Noble last night and discovered that Laurie R. King and Guy Gavriel Kay BOTH have new books out. Well, there goes $50...but for such a good cause!
delphipsmith: (library)
OK, I'm VASTLY behind on book reviews so will have to sum up ("Let me explain...No, there is no time -- let me sum up"). So: four tonight and (if all goes well and the goddess of motivation smiles on me) four tomorrow.

Nightlights, a Twilight parody. Meh. Hilarious bit at the beginning spoofing Bella's klutziness -- which was a major gripe of mine in the first book, it was made such a major deal I assumed that at a minimum she would turn out to have some degenerative neurological condition -- and a very funny bit where she thinks she's meeting Edvart's parents but he turns out have some kind of address dyslexia and went to the wrong house. Other than that, not very clever.

No Blade of Grass (U.S. title), a revisit but just as good on the fourth or fifth re-read as the first. A British (therefore stiff-upper-lippy) post-apocalypse novel, in which the Chung-Li virus destroys all grasses on the planet and a small band of friends and family must fight their way from London to an idyllic (defensible) valley in Wales. Not quite so I'm-the-man-and-I-will-save-you as Alas Babylon, but more intense in that the effects are immediate rather than remote. Alas, Babylon has a very unrealistic view of survivable nuclear war; Grass gives us a world that's truly dead, no arguments, no way to stop it, and very impersonally since it's a virus. I can't believe they haven't made this into a movie yet, it has all the elements of a fantastic high-concept SF flick. They'd have to do something to update the female roles but other than that all the pieces are in place.

Bible Stories for Adults by James Morrow. Not bad but didn't wow me. The first story (unless I've missed something) seems to suggest that the Chinese are descended from a diseased whore who escaped the Biblical Deluge. I can only hope I've misread that one. The rest are quite fun -- quirky, irreverent, pointed critiques of religion which I always love (being a pagan or possibly an atheist, depending on the news). Asimov would like them, I think, as several of them employ robots to prove the essential inhumanity of mankind. I especially liked 'Spelling God with the Wrong Blocks," in which a bunch of Creationist robots burn Darwinian heretics at the stake and await the Great Genital Coming (no pun intended, I'm sure). Morrow also wrote Towing Jehovah, in which God dies and his body gets towed south by a barge, and Only Begotten Daughter, in which Jesus has a sister, both of which I highly recommend.

Mystery of Grace by Charles de Lint. Sadly, this disappointed me. Not entirely -- not in the writing or characters (Grace the grease monkey, love her!) which are both elegant as always, and the resolution (involving Mexican bruja traditions and faith in the saints) was appropriate and well done, as I've come to expect from Monsieur de Lint. I liked the idea that Grace and John (not to mention the evil witch in the penthouse) have to learn to let go of some things, but the fact that Grace had no interest in moving on until spoilers ) It feels like a cheat, almost. So it's OK, but not his best.

Wow. I'm tired now.

oops, bad coding...better now...
delphipsmith: (shiny)
A catching-up post:

Overclocked by Cory Doctorow is awesome, especially "When sysadmins ruled the earth," a dark post-apocalypse short story on the power and risk of the internet(s), and what really matters when you come right down to it. On a related note, Doctorow has an interesting recent essay on science fiction as "radical presentism" -- in other words, what speculative fiction is really about is the tensions of the present, extracted and highlighted by projecting them into a [ ] near [ ] alternate [ ] distant (pick one) future. "Science fiction writers don’t predict the future (except accidentally), but if they’re very good, they may manage to predict the present...Science fiction is a literature that uses the device of futurism to show up the present."

Pastorialia by George Saunders. Clever and entertaining but not his best. Most of the stories are written in the same breathless, stream-of-consciousness narrative, meandering about from hither to yon -- the fun is in the trip; the destination isn't always that great. I liked "Sea oak" (nothing like zombie grandmas aunties to really make a point) and of course the title story with the characters stuck playing cavemen in a human zoo, which somehow manages to evoke office politics and the cubicle farm despite the sheep carcasses and the mutual social lice-grooming. Both Civilwarland and The brief and frightening reign of Phil were better. In persuasion nation of course was fabulous and still my favorite (that might have been the one that got him the Macarthur Genius Grant).

Beauty by Robin McKinley -- seriously ho-hum. Not bad, just ho-hum. Another fairy tale retelling, obviously, but so much like the Disney version I had a hard time swallowing it. Since this was published long before the Disney version it's entirely possible Disney got ideas from her, or maybe they both used the same source text (Perrault, maybe? It has a definitely French flavor to it), but it's lamentably simplistic even given that it's published under HarperTrophy, a children's imprint. (I have a hard time with HarperTrophy books anyway because I always think of "hypertrophy" -- not what they were going for, I'm sure, but there it is.) For this particular fairy tale I still have to name Tanith Lee's short-story version in her Red as Blood collection (ignore the horrifically cheesy cover and trust me -- it has sexy alien leopard cats, woohoo!) and Sheri Tepper's Beauty.

Let's see, this leaves me...three more, one of which is the Harvard Lampoon's spoof of Twilight. Will do those tomorrow.
delphipsmith: (Sirius/dementor)
So last week I took Friday off (trying desperately to use up all my vacation before it vanishes, courtesy of the Evil HR Dept). We drove over to Ithaca, checked out the Falls, had lunch at Moosewood (salmon chowder, nom nom nom), and stopped at The Phoenix used book barn on the way back. I love shopping at used bookstores, especially ones that are a) so huge they have no idea what they have, e.g. The Strand in NYC or b) so off the beaten path that they don't feel compelled to keep on hand ten copies of "A is for Alibi" and three of everything Jodi Picoult ever wrote. The Phoenix, happily, is both. (It's so off the beaten path it doesn't even have a website, and so huge that I got lost in it. Twice.)

So. Among other gems, I found a book by a long-time favorite author that I didn't know existed, a book on the Midrash (which I've been curious about since I read The Red Tent last week) and an FSF short story collection by an author I never heard of but which turned out to be tremendous: Speaking in Tongues, by Ian McDonald. Unusual, powerful, intriguing, and every story very different from the others. Among them was one with the odd title "Floating Dogs," which is possibly the most heart-wrenching -- and damning -- post-apocalypse story I've ever read. Well OK, it's a tie with "People of Sand and Slag" from this anthology. If you can read these two stories and not get at least a little choked up, I don't wanna know you.

Still plodding through the run-up to World War II with Churchill & Co., but have to take these little breaks every so often to recover from the repeated idiocies (how could Chamberlain have thought giving Czechoslovakia to Hitler was a good idea? How???)
delphipsmith: (kaboom)
Reread Alas Babylon yesterday. About halfway through I realized how naive it is, so checked the copyright date: my copy was published in the late 1970s but the book originally came out in 1959.

This explains a lot.

The attitude towards women ("She'll give you the same loyalty she gave me, if you let her. She's all woman, and it's what she's made for." -- eep!!), the assumption that a massive nuclear war is survivable, the otherwise-inexplicable failure of the main characters to stock up on guns in their rush for supplies, the relatively solid survival of law and order, the black/white relationships, etc. It's kind of endearing, in a way, all that optimism that even if the worst happens we'll not only survive but beat those pesky Commies to boot.
delphipsmith: (South Park kids)
Another dystopia but this one lives up to its name :) YA, which means it was a quick read without a lot of subtlety and left me wanting longer, richer, deeper, just plain more, of course, but "a good effort" as Franz Joseph said to Mozart. Given the behavior of huge corporations, particularly those in the pharmaceutical industry, the power of the Longevity corporations was all too believable; their ideal world is full of happy little immortal (human) sheep and they do whatever it takes to ensure it stays that way, an eerily credible scenario. I can believe that they'd, um, "encourage" everyone to sign The Declaration. The ending was a mix of powerful (Anna's parents' attempt to save her and Ben) and fairy-dust-easy (no way the soldiers would just stand down). I wanted more about several of the characters, notably Miss Pincent and her loser husband and father (where did she learn how to do this mind-f**k on the kids??) but also Anna's parents, and the whole underground movement.

I also wish she'd explored some of the larger questions of what would happen if everyone was immortal. Would everyone be, or only the ones with the money? How often do people do the "A life for a life" exchange? Is it considered noble or shameful? Who's raising the food? Nobody would want to be a farmer for eternity. If it's automatically produced then do people bother to go to work or do they just sit around playing bridge and comparing their latest face lifts? What about this black market in childrens' stem cells? Without the influx of new people, is there a slowdown in innovation, ideas, inventions, etc? What's the impact of that on society, science, etc? Is the whole world just some big stagnant pond? Like I said, I wanted more!

All things considered I give it two thumbs up. Not as good as Genesis but better than the Lessing book :)
delphipsmith: (gumbies)
Wow. Just...wow. During Anaximander's four-hour oral exam for admission to the Academy, everything she knows, or thinks she knows, gets challenged. Quite a lot of the things I knew, or thought I knew, got challenged as well. Genesis is a terrific philosophical adventure with a real bang at the end. Like a darker version of Sophie's World spliced with a debate about artificial intelligence, evolution, and what truly makes us human. I wish it were longer, but at the same time that makes it so tight, so focused. Wow. Just...wow.

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