delphipsmith: (starstuff)
I just discovered that in December, SyFy will be airing a tv miniseries version of Childhood's End, and I am sorely conflicted.

I love this book. It was one of the first science fiction novels I ever read. My mother introduced me to it when I was about twelve or so; it blew me away and set the bar for future reading very high indeed. I have re-read it many times since, always with great pleasure. It's a classic that turns up on every science fiction "best of" list: thought-provoking, complex, beautifully crafted, joyous and heartbreaking at the same time. The thought of seeing it brought to life fills me with unspeakable excitement.

But it's SyFy. Their record with adaptations fills me with equally unspeakable horror. If I watch the first episode and it's awful, I may never get it out of my head. Back when they were SciFi, they did a shamefully poor adaptatio of Ursula LeGuin's Earthsea books. Fortunately I knew ahead of time that it stunk -- Le Guin herself disclaimed all connection with it -- so was able to avoid it, but it has left me highly distrustful of them. They're fine with Piranhaconda (after all, it isn't really possible to screw THAT up) and things of that ilk, but a Golden Age science fiction classic like this?

As I said, I'm on the horns of a dilemma :P
delphipsmith: (thinker)
The cool: The HTML5 Gendered Advertising Remixer. Drag and drop to mix audio and video from heavily boy-targeted and girl-targeted toy ads to see how ridiculous they both are. It's quite funny. I was particularly amused by overlaying the audio for Tonka Garage with the video for Betty Spaghetti.

The srsly?????: We all know about "trigger" warnings; fanfic has had them for ages as a courtesy to its reader. But it's really too much when college students demand trigger warnings on their syllabi.

This boggles my mind.

I'm not at all against trigger warnings in fanfic -- after all, fanfic is known for pushing the envelope in a lot of ways. But fanfic is, when all is said and done, a hobby. A thing you do on your own time, for your own reasons, in which you are free to seek out or avoid anything you like, from SSHG to Giant Squid + Hagrid.

The entire point of college, on the other hand, is (or should be) to expose you to new things, things you don't know about, things that make you think, and yes, even things that might make you uncomfortable. Because real life has those things. It's meant to spur dialog, critical thinking, analysis -- none of which are possible if the only things you look at are things that make you feel good. Because real life demands those abilities. And most importantly, it's meant to be a bridge between your (usually protected) childhood and the (often unpleasant) real world. Because yes, hon, you will encounter things that may be hard for you in Real Life.

As The New Republic pointed out, Nigerian writer Chinua Achebe’s brilliant novel about the great harms of colonialism, Things Fall Apart, now carries the warning that it “may trigger readers who have experienced racism, colonialism, and religious persecution, violence, suicide, and more.”

If we allow students to opt out of things that they assume or imagine might upset them, or that they just plain fear, it seems to me we are doing them a disservice.

Thoughts?
delphipsmith: (allyourbase)
So the military has come up with a new medal to be awarded to drone pilots. Without getting into the question of whether remotely piloting a drone from the safety of, say, Peoria deserves a medal at all, or the broader question of the ethics of drones in the first place, this seems a rather odd method of implementation:

"The new Distinguished Warfare Medal, announced on Feb. 13, will rank just below the Distinguished Flying Cross in the military’s official order of precedence. That means it will technically rank higher, and be worn on a uniform above, the Bronze Star with V device, which honors heroic conduct on the battlefield, as well as the Purple Heart, which is awarded to troops who are injured in battle." (Navy Times)

A petition to demote the medal has been posted on WhiteHouse.gov, if anyone is interested. They need 100K signatures by March 16 to get it officially addresed by the White House; as of today they're at about 17K. Feel free to spread the word, if you know people who might be interested.

Personally I'd prefer a petition to ban the damn things altogether, but hey, we do what we can...
delphipsmith: (seriously pissed)
Arizona has passed a bill stating that life begins two weeks before conception.

::iz speechless::

Presumably that means everyone in Arizona will soon be singing this.

Also passed: a law protecting doctors from being sued if they withhold information that might lead a woman to get an abortion. Now, I'm fairly certain that's malpractice and violates every medical code of ethics since Hippocrates. I can't wait to hear what the AMA has to say about it. Ideally they will vow to yank the license of any so-called physician who perpetrates this obscenity on a patient.

Gaaaaaaaaahh. And the GOP says there's no war on women. Uh-huh. Pull this one and it plays Jingle Bells. Becoming a rabid feminazi is becoming a more and more attractive option every day that insanity like this sees the light of day.
delphipsmith: (VampiresKiss)
A couple of days ago I finished Night Watch. Two thumbs very high up for this highly original vampires-and-other-magical-beings story from Russian author Sergei Lukyanenko. (Thanks to [livejournal.com profile] anna_bird for providing the book, in exchange for which I sent her a small package of anarchy and probably got her on Dick Cheney's watch list, because you just KNOW he opens people's mail. But I digress.)

Night Watch is one of the best things I've read in a long time. Its approach to both the battle between good and evil and the relationship between magical beings and regular humans is unusual, to say the least; there's a kind of armed truce between good and evil, vampires get a set number of licenses for human victims (literally a hunting license) and neither side seems to have much respect for regular people, though the Night Watch (those who watch the night -- that is, the good guys) are very clear on the fact that their prime directive is to protect said regular folks. There's an established system of trading favors -- "If you let me go I'll give you the right to a third-level intervention of your choice" sort of thing.

One of the most original aspects of the book is the Twilight, a sort of submarine reality that one can "drop into" thereby becoming invisible in the regular world. This dropping into Twilight is not without risks -- if you're not strong enough, the Twilight will sap your energy and will and you end up roaming it as a sad little ectoplasm. Your state of mind the first time you enter the Twilight has a lot to do with whether you end up working for the Day Watch (the bad guys) or the Night Watch (the good guys); if you've just had a fight with your father, say, and are feeling all angry and cruel and vengeful, it kind of imprints on you when you drop into the Twilight and pushes you towards the Day Watch.

However, Dark magicians can heal people and Light magicians can kill, so the good/evil dichotomy isn't a pure one; free will and choice are central to both sides. The difference is in the purpose and intent. At one point one of the new Night Watch members, Svetlana, is quizzing Anton on how she'll know what to do, what best serves the Light, whether an apparently good action will have bad repercussions.

"Imagine you're walking along the street and you see a grownup beating a child, right there in front of you. What would you do?"

"If I had any margin left for intervention," I said, "I'd perform a remoralization. Naturally."

"And you'd be absolutely certain that was the right thing to do?...What if the child deserved to be punished?...What if the punishment would have saved it...and now it will grow up to be a murderer and a thief?...You'd be certain you were right? Where's the boundary line?"

"The point is that the Dark Ones never ask questions like these...[and] ordinary humans have it a million times easier...they can be good and bad, it all depends on the moment, on their surroundings, on the book they read yesterday, on the steak they had for dinner. That's why they're so easy to control; even the most malicious villain can easily be turned to the Light, and the kindest and most noble of men can be nudged towards the darkness. But we have made a choice."

"I've made it too, Anton...then why don't I understand where the boundary is and what's the difference between me and some witch who attends black masses? Why am I still asking these questions?"

"You'll never stop asking them...It will never stop, never. If you wanted to be free of painful questions, you chose the wrong side...You'll never stop asking yourself if every step you make is the right one."

I love these kind of ethical dilemmas. You can't learn a thing by observing someone who has no choice, or who doesn't care about any alternatives other than "whatever benefits ME." But you can learn a huge amount from watching how someone who cares very much about something beyond himself chooses among equally bad (or equally attractive) alternatives.

And the end of the book was excellent -- did not fizzle out. Though I wonder where he could possible go with the three sequels. After all, you can only have so many major apocalypses (apocalypsi?) before stunting your readers' fear for the characters...
delphipsmith: (The Hair)
Just finished Ursula Le Guin's City of Illusions. She's one of my all-time favorite authors -- for language, for plot, for character, for thought-provoking content, for books that take that extra step from good to great -- and I had never heard of this book till I stumbled across it at The Phoenix last week. Yowza! Most excellent, with many twisty turny bits and an ethical component, which last is something I find myself looking for more and more in books. Not religious (that's something I definitely DO NOT look for), but ethical: people struggling to do the right thing, trying to make the right call in difficult situations, working out what their moral code is, what it demands of them. Ab honesto virum bonum nihil deterret, that sort of thing. Also -- bonus! -- turned out to be post-apocalypse. I suspected, but the Prince of Kansas clinched it. Two thumbs up :)
delphipsmith: (books)
I love, love, love this book and always have. She does it even better in This Star Shall Abide, but this one's near enough to our own world that it touches me closer to the heart. I know I'm weird; most people don't like philosophy and ethics mixed in with their adventures or romances or what have you. Me, that's the first thing I go for. If there were a "philosophical fiction" section at B&N, that's where I'd be. If I ran a used book store, I'd have a special shelf for "books that make you actually THINK." 'Nuff said.

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